Cool Stuff Happening Feb. 2013

Well, I don't seem to have time to browse any social media anymore as I am actually too busy doing some really cool stuff. One of the cool things going on is my student Jose` Lins being accepted as a finalist in the Saul Bell Emerging Artist Awards.

His necklace (poorly photographed here) is one of only 5 national finalists for this 18 and under jewelry design award. And this is what is so cool is that the local newspaper, the Renton Reporter (pages 8 &9) heard about it through the school district and sent a reporter out to take pictures and write-up the story.

Jose' who had just turned 19 a day before the reporter interviewed him was concerned that he would no longer qualify to compete in the Saul Bell design competition since he was now 19 and not 18 anymore. But, I assured him that since he made and entered the necklace while he was 18, that the judges would not hold it against him having a birthday before they could judge the piece. The story with photos ran in the January 25, 2013 edition. Parents of students in my Art classes sent copies of the newspaper into school so I could have a few extra copies for my archive.

We will find out sometime at the beginning of March who the winners of the Emerging Artist Awards are, but, I am keeping my fingers crossed for Jose` to take 1st place. He did such a great job on this necklace too, making a complex key hole style clasp and graduating the filigree beads in the necklace. I was so happy to have Jose` come to me with ideas for solving problems with the piece and then trouble-shooting them together. There is nothing else like it as when a talented student has an "aha" moment. It is very cool!

Another cool thing is that I heard from LARK Books and my Crystal Cross necklace will be featured in the forthcoming "Showcase 500 Necklaces" book due to drop this spring! My Crystal Cross pendant was on the cover of the December 2011 Lapidary Journal/Jewelry Artist magazine, and now this too! I am so excited, this will make the 5th Lark "500" book to include my jewelry work. Receiving this recognition within the art jewelry field is very much appreciated, and receiving a free copy of the beautiful book is totally cool too!

Finally, I an getting to attend a Resin Workshop presented by Jillian Moore and hosted by the Seattle Metals Guild this weekend Feb. 23 & 24th at Danaca Design Studio . How cool is that!

I will try to take photos and post pictures, but it may be a while as there is always a lot to do!
Have fun, Be cool!
Nanz

Show @ CORE Gallery

November 2012 seems like it was years ago already. With all the busy holiday happenings, posting these pics from my gallery opening just fell by the wayside. Today, I am home from work (sick) and thought it would be a good idea to get these images cropped and formated to fit on the web. I was so lucky to have my dear Beaux, Scott Fisher, doing all the photography at the opening.This shot below is of the very first of the First Thursday Gallery Walk patrons to visit my show.

  CORE Gallery at 117 Prefontaine, Seattle, WA is a lovely space and the display cases, which were lent to me by the Seattle Metals Guild, really looked fabulous! The display props where a last minute improv purchase from Micheal's craft store, but wow! they turned out to look just stunning with my jewelry in place.

  This was the "resin" case. My newest neck piece titled "Always Crashing in the Same Car" (center) is neatly bracketed between my bracelet "7 Jewel Movement" on the cone and my National Jewelry Arts Award winning "Nautilus" earrings in the front. The necklace "Always Crashing in the Same Car" is made with smashed auto glass cast with clear resin in sterling silver frames. Each frame is held to the next with a loop of fine curb-link chain also in sterling silver. The curb-link chain gives the necklace wonderful flexability and easy wearability, but it was intentionally used to give a very delicate impression - as if it was being held together by a thread. "Always Crashing in the Same Car" is my tribute to the multiple (7) car crashes I survived as a child. The mashed auto glass is my symbol of life's fragility and the stength of survival. Remarkably and unintentionally the casting resin I used for the piece actually "healed" the broken glass, filling in and softening the cracks and sharp edges.

  Of course my two-finger rings were present with a selection of "Les Bijoux de Tarot." Here I am explaning them to another gallery walk patron. As you can see here, I shared the large gallery space with a painter. CORE Gallery hosts a facinating collection of artists from multiple mediums. Multi-media, wood, paint-on-canvas, metal sculpture, print-making, furniture, photography and jewelry are each paired up to provide complimentary showings each month. I am very honored to be asked to show with them and to be invited back for another show in 2013 is especially gratifying.

 

  This last photo is of the entry/title wall of my show. This couple were very sweet asking lots of questions and being very tolerent of our photographing them. I had title the show "contained" since I realized as I put the show together that much of my work deals with the idea of either conceptual containers, container rings, lockets, or encased items within resin. Also, I felt what I have really worked on as of late is focused so much more on the untangable product of teaching that it is my jewelry alone that can be contained in the cases, whereas "my work" cannot be contained in a display case or in a gallery. "My work" is now in the minds of my students and will be expressed by them over the years with their own voices. 
Anyway, it was a great show and I now have to make a bunch more stuff - since they asked me back for another! Wish me luck.

IT IS ALWAYS EXCITING at PVCC!

What a marvelous time we had at Peter's Valley Craft Center with my Cold Connections for Stone Setting workshop. The participants of this recent workshop were simply one of the most talented bunch of students I have had the privilege to share skills and information with since last year at PVCC. What was most remarkable was that they all were students in one college metals program or another! It was thrilling to not have to teach basic sawing or riveting skills. We jumped right into the material (physical, technical, and conceptual). The speed at which the class moved through the processes and techniques was a marvel to see. I was able to use my educational techniques of "meta-cognition" to gauge how well each "lesson plan" was "scaffolding" new information and skill building practices onto existing knowledge. (Go M.Ed!) Here are May's practice turtle & Volcano settlings.   Using the dividers and brass slide gauge we started with the layout of turtle settings for cabochons and quickly grasped bent finger and raising internal prongs from a plate variations. I was delighted to have assembled for this class an extensive collection of technique samples. Many of my samples illustrated the creative divergence of application available with these skills.

What is always fun in this community of metalsmiths is to see so many options for executing basic techniques. Like a rivet for example: Should it be cut first and flared only once it is in the hole? -or- is it easier to flare one end of a wire and use that "nail head" to hold the rivet in place while threading through multiple panels? What are the best tool options? There were plenty of ball-peen chasing hammers available, yet everyone wanted to use my sweet, little, Fretz riveting hammer (even naming it "baby," more than once the call went up- "where is baby"). What can I say (and I am not getting a penny for it), but when you find a tool that is not only beautiful to look at and is also wonderful to hold and work with - it's a sexy thing!

Tricks to flare tube rivets helped keep many alternative materials safe from harm.
Thank you, Mara for this lovely brooch with anodized niobium domes/cabs.

I have already gotten half a dozen compliments on it!

I have to say it warmed the cockles of my heart to see so many notes being taken (every-time I opened my mouth) and sketches of ideas before diving in. Teaching at the high school level this last year I nearly despaired of ever seeing these creative tools being employed by students so devotedly. Bravo! Ladies, Bravo! Your photo documentation of demos also gave me the brilliant idea of allowing photos from smart phones as an option for my high school student to document my demonstrations. If the photos are good I could then post them to my teacher page on the schools website for other students to see.

The excitement started with a major thunderstorm hitting PVCC at lunchtime on Monday. It was so bad it downed 4 trees, blocking the road to Thunder Mountain Metals Studio. The rain soaked us all to our skin as we dashed to our lodgings. As the storm continued to pound the campus, electricity was lost at several buildings. The faculty house was still with power, so, I invited all my workshop attendees to come stay with me for a kid-style, camp sleep-over. We all got settled in when the power went out in the faculty house too! Undaunted we sat out on the huge covered porch and talked of metalsmithing, our kids, and our boyfriends/husbands. Power was restored within an hour and we continued to laugh and talk well into the night.   

With the morning the sun was shinning and the road to the metals studio cleared we did our best to finish up, clean up and say our goodbyes.

Here is the lovely Gina wearing her sandwich setting. And a blurry shot of Mandy's sandwich setting samples. Because of all the excitement I did not get to take as many pictures of everyones sample projects as I wanted. So, Ladies, please if you have photos post them to your FaceBook page and tag me on them! Come on Kris, Brienne, Heather and Laura I know you did some beautiful stuff - Please share it with me!

Thanks to everyone at Peter's Valley for a wonderful workshop!

What a wonderful way to start the summer.

Now, for those of you unfamiliar with Seattle's celebration of the "water festival" (aka rain from October 31st thru July 4th) it might seem odd for anyone to have sought out the dry, 110 degree, heat of southern Utah and Nevada as a vacation destination. But, with an urgent desire to sun bake the moss off of our northsides we headed south. My teenage son and I, along with my sister, her fiance, and my teenage niece all went on vacation together to visit Grandma & Grandpa in Utah.

Ten days passed quickly while we had a blast - winning at the Las Vegas slots, attending live outdoor theater, horseback riding, playing tennis, and getting our butts kicked by a 60 year old aerobics instructor. What a wonderful way to start the summer.

  Horseback riding in Snowy Canyon, Utah. Named after the Snowy family who donated the land to the National Wildlife Refuge - not because it ever sees snow. Greta (center) is the family equestrian with myself (on the left) and Kenric (on the right) following her lead. The horses wore little ear caps and crocheted bonnets to keep the bitting flys off their faces. Sunset with a full moon was spectacular over the red sandstone bluffs. Unforunately, none of my photos turned out to be useable.

Hiking in Zion National Park was wonderful too! I am looking forward to visiting Peter's Valley soon. July 20th thru the 25th! See you there!

Tags:

Categories: Artwork | Gallery show

Coast to Coast Summer Workshops by Nanz

Cold Connections for Stone Setting 

Danaca Design Studio - July 14-15 in Seattle, & Peter's Valley Craft Center - July 20-24 in New Jersey

Introductory to Intermediate Level, Skill based workshop

This workshop will focus on the use of cold connections (rivets & tabs) as design choices for setting stones and found objects in jewelry objects. Participants will learn to make and intergrate tabs, 4 styles of rivets, pierced and bent finger prongs asa well as staples will be explored. Fragile found-object and alternative materials can be intergrated into jewelry design utilizing these flame-free methods. Faceted glass "gemstones," copper, aluminum, sheet, wire, and tube are provided in the kit, as well as setting burs. No Silver will be provided. Students are strongly encouraged to bring their own materials and found objects for inclusion in class.

 

Also @ Danaca Design Studio in August
Hinges & Clasps for Boxes & Lockets

Intermediate Level Class,
6:30 PM to 9:30 PM on Monday nights starting August 6th thru August 20th, 2012

Students will learn to make flat hinges that can then be adapted to work on lockets and small scale boxes. Soldering and cold connectiond will be integrated into a keepsake locket or box made during classes. Roll-printing metal for texture and design will be included during this class. Students will also learn the use of a Disk cutter and Matrix dies with the Hydraulic press to explore the different shapes and forms readily available for boxes and lockets. Short cuts and tips to make locket cases more quickly will be shared. Featured Photo (below) is of a tea diffuser made by one of my students using a flat hinge with a simple snap closure.

Please contact Danaca Design Studio or Peter's Valley Craft Center for registration and class costs.

Thanks and have a great summer!

Student Work

I am so proud of my students who stepped up to the challenge of entering Seattle Metals Guild'sjewelry/sculpture/hollowware, state wide, high school, competition know as "Passing The Torch." This first piece is a tea defuser, titled "Tea Nut" by senior Jose`Lins. Jose` etched a floral pattern onto a brass plate and then roll-printed that pattern onto copper to create the two halves of the tea defuser. The defuser snaps closed with a solid click - a sure sign of a well made friction clasp. From this photo the beautifully delicate hinge cannot be seen, but he also made the chain soldering each link with fine precision. In order to make the defuser functional (a high priority to Jose`) I took it to Prestige - a local Seattle jewelry manufacturer who I have a good relationship with going back to my days as the fine jewelry designer at Nordstrom, to see if it could be plated. When Deb (the owner of Prestige) saw the exceptionally well crafted piece, she asked if the young man who made it needed a job! Then as a reward for his hard work, Deb nickel plated the tea defuser at no cost. We will know next week if his hard work will earn him the reward of recognition from the Seattle Metals Guild. 

  My second student who stepped up to the challenge is Avery Williams, the maker of these playfull floral brooches titled "Telephlowers." Avery used a "score and fold" technique to add dimention to the petals of these copper "phlowers", while incorporating rare earth magnets epoxied into bezels to act as the findings for them. The intriguing title of these brooches comes from the recycled, phone cable, color coated, copper wires, which spiral out of delicately fabricated tube settings. What is so exciting and fun when working with a student like Avery is that once he has the technique he will get so caught up in the creative process that he will not let me know what he is working on until it is finished. These brooches were a wonderful suprise and I hope they also recieve recognition from the "Passing the Torch" judges, which they truly deserve.

Wish us luck!

Inside the Box at Allied Arts Gallery

On November 4, 2011 a show of my jewelry (and other art) opened at the Allied Arts Gallery in downtown Bellingham during the First Friday Gallery Walk. I unfortunately posted the wrong times for the opening on my Facebook page and I'm really sorry to have missed so many friends who came early, but thank you for coming and leaving your kind messages.

First Friday Gallery Walks in Bellingham have been a lot of fun for myself and my son during the time we were together in Bellingham. So, having my work as part of the First Friday Gallery Walk in the lovely space that Allied Arts occupies in downtown Bellingham is especially endearing to me.

The Allied Arts Gallery staff, Kelly and Katie, are such great, hard-working ladies that they made the display and the opening night really special. Since August, I have been teaching down in Renton, which is about a two-hour drive south. Like most control-freak metal artists, I was concerned about how the jewelry would be displayed. It was a great relief to know that these two bright young women (who are dedicated to the arts in Whatcom County) would be setting up my jewelry for me.

I was also luck enough to get my newest piece the Crystal Cross (seen below) back from Lapidary Journal/Jewelry Artist magazine in time for the show. I have been told this pendant will grace the cover of the December Issue.

Traffic in the gallery for the opening night was brisk with many people asking questions about my two fingered rings. At about seven o'clock Kelly asked if each of the artists whose work was on display could give a brief talk about their work. I was asked to speak first. Using my best teacher's voice I was able to tell the crowd of about 25 art patrons how the two finger rings were based on the concepts of the Tarot. For more information check Les Bijoux de Tarot on my Articles page and see my Gallery pages.

Since the bottom of the display case was kind of a difficult space to light, I made good use of my being included in the many 500 Series, Lark Books and used a couple of them to fill that area. I want to thank all my friends who did make it to the show (you know who you are), who texted me, and e-mailed their support. The show will be running until the end of November. If you want to stop by and get a personal tour of my jewelry I will be attending the gallery on November 26 from noon to five. If you missed me the first time - please stop in on the Saturday after Thanksgiving. Happy Holidays!

Casting class as metaphor for the Myth of Sisyphus

What an extreemly satisfying adventure I just returned from! In the (seemingly oxymoronic) rural area of New Jersey known as Peter's Valley Craft Center, I taught a wax carving and lost wax casting class from June 10th to the 14th. Thunderstorms delayed my arrival and I got to my accommodations in the dead of night. Undaunted, I rose early to have breakfast and be given a ride to the Metals Studio. The first few days the class carved waxes with ease and quick assimilation of the information.                            Artist Fellow in Metals, Bifei Cao (the recent recipiant of the Educational Endowment Scholarship through SNAG) worked tirelessly to help make the workshop welcoming, fun, and productive. His creative presence was vastly welcomed! Studio Assistant, Jennifer Jordan Park, also was a dynamo of go-to, get-it-done, energy. She not only carved a couple of waxes, but also cleaned out the terribly over filled office room of the studio and painted it before the workshop was over!!! The first project was to carve a wax (subtractive process) and sprue it up for casting. Here is Laurie's wax.

Then we played around with additive processes and a brave, young, buck named Tim charmed us with his little skeleton dudes. Now, you maybe wondering why I would correlate this class with the Greek myth of Sisyphus or more exactly to Camus' philosophical essay "The Myth of Sisyphus" (published in 1942). Well - it would be in the philosophy of the absurd, which Camus introduced in his essay. This philosophy contends that the human mind's search for meaning, clarity, and unity in a godless existance is futile. Camus compares our existence with the struggle of Sisyphus, a character in Greek mythology who was doomed to push a boulder up a mountain side each day only to have it come rolling back down. In the comedy of errors which insued over the final 3 days of the workshop the philosophy of the absurd became my daily reality.

Top row left to right: Tim, Nanz, Bifei, Jennifer  Bottom row left to right: Michelle, Laurie, Kelly and Pat

To sum up the "rolling boulder of chaos" (Tim's critique) this class became I would start with worn out torch hoses leaking out the gas from 2 tanks, many sprue bases left with plaster in them for who knows how long and losing their elasticity, having to use 3 kilns to burn out the flasks and those kilns blowing the breakers for the whole facility (3 times) and crucibles slipping out of their tongs while pouring molten silver - no one was hurt. Finally, the rosebud tip for the oxygen/acetylene torch we were to use for the brass casting grain was dangerously backflashing. Staff members at Peter's Valley did what they could to help solve each problem. While this litany of troubles could have discouraged any workshop attendee or instructor, this great group of individuals persevered, laughing, sharing, and learning with each turn of events.

Proving Camus' assertion that "The struggle itself...is enough to fill a man's [or woman's] heart."        As evidenced by these great castings, "one must imagine Sisyphus happy!" Each student (after many trials) was able to cast twice and get their waxes into metal. I want to thank Jennifer Jordan Park for her spectacular commitment to Peter's Valley and it's Metals Studio! I want to thank Befei Cao for his unflagging good nature and positive problem solving attitude. But most of all I want to thank the wonderful, sharing, exciting, enthusiasm of the students in the workshop!

Featured Artist on Jewelry Observer

Great News! On top of all the hard work of putting together my board reports for the SNAG conference, writting syllabi and reflections for Masters of education classes, filming video for YouTube, and gather supplies for the WAX CARVING and LOST WAX CASTING class at Peter's Valley - I was selected to be a featured artist on Jewelry Observer. Click here to see the nice write-up! Very cool.

Here are some cast rings from my tenure as the Fine Jewelry Designer for Nordstrom. This style and many other wax carving techniques will be covered in the class at Peter's Valley. That's all for now, I still have about 5 - 1000 word papers to write before the quarter is over next week.

Academic Awards, Harmony Jewelry Design Award winner, SNAG notes, and a poem

The week of May 23rd through May 30th has been a very busy one for me. On May 23rd my son (soon to graduate 8th grade) was nominated by his teachers for and Academic Achievement Award. Seen here receiving it from his writing teacher who called him a "warrior/priest." Little did he know that the name "Kenric" means: brave leader in Danish.

So, Kenric's Papa and I are not suprised that his teachers are discovering his awesome-ness!

Another awesome fellow is Harry Caldwell IV, from Seattle, WA. Harry is the only winner in the Professional Division of the Harmony Jewelry Design Competition! He was able to attend the Society of North American Goldsmiths (SNAG) most recent conference at the Westin Hotel downtown Seattle. Here he is posing next to the Harmony Jewelry Design Competition Winners display in the vendor room at the SNAG conference.  

Quite the cutie isn't he! Congratulations Harry! The SNAG conference was a wonderful event. There were over 900 attendees and the presentations during the conference were all exceptional. The Professional Developement Seminar was one of the stand-outs for extreemly helpful information about professional photography. The Pin-Swap was (as always) a lot of fun! Meeting and socializing with all my fellow metalsmiths was (as always) the best part of the conference.

And now for somethiing completely different: In the Masters of Education program I am in we had to write an "I'm From" poem to introduce ourselves to our class-mates. I liked the one I did so much that I thought I would share it with everyone. Hope you like it too!

“I’m from”

I am from the middle
Mid-century modernism
Middle America, middle class
A middle aged, middle child

From making crafts in Grandma’s kitchen
With sunshine through gingham curtains,

Fresh baked rhubarb crisp and home canned pickled beets
That were worth fighting for

I’m from my father being stationed in
Alaska during the Korean war
Training dogs and learning to ski
Then...his bring those loves home
And sharing them with me

From sneaking out of bed
When cousins slept over
To lay on our tummies under the dinning table
Watching as our parents listen to
George Carlin and Dave Brubeck
On Vinyl

I am from metal
Inside and out
Saw cut, cast, forged,
And sometimes totally hammered
Alchemical ascendence, iron to gold
Plain as dirt and twice as complex
 
 

Powered by BlogEngine.NET 1.4.0.0
Theme by Mindfly